Music of Immigrant Communities in The United States

Music Of Immigrant Communities In The United States

The vast majority of the inhabitants of the United States are immigrants or descendents of immigrants. This article will focus on the music of these communities and discuss its roots in countries across Africa, Europe and Asia, excluding only Native American music, indigenous and immigrant Latinos, Puerto Rican music, Hawaiian music and African American music. The music of Irish- and Scottish-Americans will be a special focus, due to their extreme influence on Appalachian folk music and other genres. These sorts of music are often sustained and promoted by a variety of ethnic organizations.

Read more about Music Of Immigrant Communities In The United States:  Armenia, Cape Verde, China, Czech Lands, Eastern European Jews, England, France, Germany, Greece, Iran, Ireland, Italy, Jamaica, Japan, Norway, Pakistan, Philippines, Poland, Portugal, Serbia and Montenegro, Slovenia, Ukraine, Vietnam

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    I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.
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    An axiom from economics popular in the 1960s, the words have no known source, though have been dated to the 1840s, when they were used in saloons where snacks were offered to customers. Ascribed to an Italian immigrant outside Grand Central Station, New York, in Alistair Cooke’s America (epilogue, 1973)

    His Majesty’s Government view with favour the establishment in Palestine of a national home for the Jewish people, and will use their best endeavours to facilitate the achievement of this object, it being clearly understood that nothing shall be done which may prejudice the civil and religious rights of existing non-Jewish communities in Palestine, or the rights and political status enjoyed by Jews in any other country.
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