Perspectives of Musical Notation in Composition and Musical Performance
According to Philip Tagg and Richard Middleton, musicology and to a degree European-influenced musical practice suffer from a 'notational centricity', a methodology slanted by the characteristics of notation.
Notation-centric training induces particular forms of listening, and these then tend to be applied to all sorts of music, appropriately or not. Musicological methods tend to stress those musical parameters that can easily be notated...they tend to neglect or have difficulty with widened parameters that are not easily notated. Examples include the unique vocal style of Joni Mitchell and the String Quartets of Elliott Sharp. Because of conventional musical notation limitations, many present-day composers in various genres prefer to compose music that is either not notated, or notated only through the computer language of digital recording.
Read more about this topic: Music Notation File Formats
Famous quotes containing the words musical, composition and/or performance:
“Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.”
—Ralph Waldo Emerson (1803–1882)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)
“Tennis is more than just a sport. It’s an art, like the ballet. Or like a performance in the theater. When I step on the court I feel like Anna Pavlova. Or like Adelina Patti. Or even like Sarah Bernhardt. I see the footlights in front of me. I hear the whisperings of the audience. I feel an icy shudder. Win or die! Now or never! It’s the crisis of my life.”
—Bill Tilden (1893–1953)