Music History of The United States in The 1970s

Music History Of The United States In The 1970s

Popular music of the United States in the 1970s saw various forms of pop music dominating the charts. Often characterized as being shallow, 70s pop took many forms and could be seen as a reaction against the high-energy and activist pop of the previous decade. It began with singer-songwriters like Carole King and Carly Simon topping the charts, while New York City saw a period of great innovation; hip hop, punk rock and salsa were invented in 70s New York, which was also a center for electronic music, techno and disco.

By the middle of the decade, various trends were vying for popular success. Sly & the Family Stone's pop-funk had spawned singers like Roberta Flack and Donny Hathaway, alongside George Clinton's spacy P Funk extravaganzas, Lynyrd Skynyrd and the Allman Brothers Band led a wave of country rock bands. Light progressive-rock bands like Kansas, Journey, Chicago and Styx had long-running popularity. Bruce Springsteen garnered critical acclaim during much of the decade, finally breaking through in a big way very late in the 70s. Disco, especially The Bee Gees, was dominating the charts the last few years of the decade, while punk rock and other genres were developing underground.

Read more about Music History Of The United States In The 1970s:  Disco, R&B and Urban, Country, Other Developments

Famous quotes containing the words music, history, united and/or states:

    And this shall be for music when no one else is near,
    The fine song for singing, the rare song to hear!
    That only I remember, that only you admire,
    Of the broad road that stretches and the roadside fire.
    Robert Louis Stevenson (1850–1894)

    There is no example in history of a revolutionary movement involving such gigantic masses being so bloodless.
    Leon Trotsky (1879–1940)

    Emblem: the carapace of the great crowned snail is painted with all the flags of the United Nations.
    Mason Cooley (b. 1927)

    We cannot feel strongly toward the totally unlike because it is unimaginable, unrealizable; nor yet toward the wholly like because it is stale—identity must always be dull company. The power of other natures over us lies in a stimulating difference which causes excitement and opens communication, in ideas similar to our own but not identical, in states of mind attainable but not actual.
    Charles Horton Cooley (1864–1929)