Latin Music
Cuban mambo, chachachá and charanga bands enjoyed brief periods of popularity, and helped establish a viable Latin-American music industry, which led the way to the invention of salsa music among Cubans and Puerto Ricans in New York City in the 1970s. The '50s also saw success for Mexican ranchera divas, while a Mexican-American mariachi scene was developing on the West Coast, and Puerto Rican plena, Brazilian bossa nova and other Latin genres became popular.
Mexican-Texans had been playing conjunto music for decades by the end of World War 2, female duos created the first popular style of Mexican-American music, música norteña. Mexican romantic ballads called bolero were also popular, especially singers like the Queen of the Bolero, Chelo Silva. In the mid-1950s, when Mexican ranchera was used in Hollywood film soundtracks and the upper-class enjoyed stately orquestas Tejanas and conjunto evolved into a distinctively Mexican-American genre called Tejano. Artists of this era include Esteban Jordan, Tony de la Rosa and El Conjunto Bernal.
Read more about this topic: Music History Of The United States (1940s And 50s)
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“Americans living in Latin American countries are often more snobbish than the Latins themselves. The typical American has quite a bit of money by Latin American standards, and he rarely sees a countryman who doesn’t. An American businessman who would think nothing of being seen in a sport shirt on the streets of his home town will be shocked and offended at a suggestion that he appear in Rio de Janeiro, for instance, in anything but a coat and tie.”
—Hunter S. Thompson (b. 1939)
“Did the kiss of Mother Mary
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Yet she goes with footstep wary,
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—William Butler Yeats (1865–1939)