Music Box - Music Box Elements

Music Box Elements

  • The bedplate is the relatively heavy metal foundation on which all the other pieces are fastened, usually by screws.
  • The ratchet lever or the windup key is used to put the spring motor under tension, that is to wind it up.
  • The spring motor or motors (two or more can be used to make playing times longer) give anywhere from a few minutes to an hour or more of playing time.
  • The comb is a flat piece of metal with dozens or even hundreds of tuned teeth of different lengths.
  • The cylinder is the programming object, a metallic version of a punched card which, instead of having holes to express a program, is studded with tiny pins at the correct spacing to produce music by displacing the teeth of the comb at the correct time. The tines of the comb 'ring', or sound, as they slip off the pins. The disc in a disc music box plays this function, with pins perpendicular to the plane surface.
  • Multiple-tune cylinders have more than one set of pins intertwined on the same cylinder, with, for example, the B pins for a second song lying halfway between the B and C pins of the first song, etc. Offsetting the cylinder slightly relative to the comb brings the different set of pins into contact with the tines, thereby playing an alternate piece of music. Many modern music boxes will have as many as four sets of pins intertwined, with a mechanism automatically shifting the cylinder from one song or movement to the next.

Read more about this topic:  Music Box

Famous quotes containing the words music, box and/or elements:

    If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.
    Herbert Marcuse (1898–1979)

    I hate love. Hate being in love. I never want it to happen to me again.
    —Muriel Box (b. 1905)

    Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and superseded by elements of lower quality.
    Johan Huizinga (1872–1945)