Museum of Western and Oriental Art

Museum of Western and Oriental Art in Kiev, also known as the Bogdan and Varvara Khanenko Museum of Art (Ukrainian: Музей Мистецтв ім. Богдана та Варвари Ханенків) is the largest collection of foreign art in Ukraine.

During the Soviet times, the museum ranked the third in the USSR by the value and size of its collection after The Hermitage in Saint Petersburg and the Pushkin Museum of Fine Arts in Moscow. Currently, the Museum is well-known both Ukraine-wide and abroad for its unique collection of paintings, sculptures, etchings, decorative arts of Western Europe, Middle and Far East as well as the Antiquity.

The incomplete list of its holdings includes the West European paintings, Egyptian and Classical antiquity, Italian Maiolica, Meissen porcelain, Persian Ceramics and Bronze sculpture, Japanese xylography and tsubas, Chinese paintings and Chinese porcelain.

Read more about Museum Of Western And Oriental Art:  Building, History, Collection, Gallery of Some Works On Display

Famous quotes containing the words museum, western, oriental and/or art:

    When I go into a museum and see the mummies wrapped in their linen bandages, I see that the lives of men began to need reform as long ago as when they walked the earth. I come out into the streets, and meet men who declare that the time is near at hand for the redemption of the race. But as men lived in Thebes, so do they live in Dunstable today.
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    In the woods in a winter afternoon one will see as readily the origin of the stained glass window, with which Gothic cathedrals are adorned, in the colors of the western sky seen through the bare and crossing branches of the forest.
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    The Persians are called the French of the East; we will call the Arabs Oriental Italians. A gifted noble people; a people of wild strong feelings, and of iron restraint over these: the characteristic of noblemindedness, of genius.
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    The classicist, and the naturalist who has much in common with him, refuse to see in the highest works of art anything but the exercise of judgement, sensibility, and skill. The romanticist cannot be satisfied with such a normal standard; for him art is essentially irrational—an experience beyond normality, sometimes destructive of normality, and at the very least evocative of that state of wonder which is the state of mind induced by the immediately inexplicable.
    Sir Herbert Read (1893–1968)