Building
The Museum is located on Central Park, Clinton, Massachusetts in a historic 1830 former mill building. The interior was re-designed by David Durrant to incorporate state-of-the-art technology, including solar collection systems, vegetative insulated roof systems, and fiber optic lighting. Lighting in the new temporary exhibition gallery is LED. At less than 15 watts per spot light, this is an enormous energy conservation program. Entirely climate controlled, the new Museum provides the highest installation standards available. According to Durrant, "Gordon told us he wanted a facility that would stack up against the great museums of this country, and we believe that is what we have done."
Inside the traditional restored brick building, the three floors of the Museum are connected by custom-designed sweeping metal and glass stairways which allow visual access to all floors from any place in the Museum. The floors also are all connected by an elevator; the building is completely ADA compliant.
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Famous quotes containing the word building:
“A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.”
—Gilbert Keith Chesterton (1874–1936)
“The artist must be an egotist because, like the spider, he draws all his building material from his own breast. But just the same the artist alone among men knows what true humility means. His reach forever exceeds his grasp. He can never be satisfied with his work. He knows when he has done well, but he knows he has never attained his dream. He knows he never can.”
—Rheta Childe Dorr (1866–1948)
“I love art, and I love history, but it is living art and living history that I love.... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?”
—William Morris (1834–1896)