Much Ado About Nothing - Style

Style

The play is one of the few in the Shakespeare canon where the majority of the text is written in prose. The substantial verse sections, nevertheless, are used both to achieve courteous decorum, on the one hand, and impulsive energies, on the other.

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Famous quotes containing the word style:

    I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.
    Barbara Howar (b. 1934)

    I am so tired of taking to others
    translating my life for the deaf, the blind,
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    Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)

    If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.
    Ishmael Reed (b. 1938)