Much Ado About Nothing - Style

Style

The play is one of the few in the Shakespeare canon where the majority of the text is written in prose. The substantial verse sections, nevertheless, are used both to achieve courteous decorum, on the one hand, and impulsive energies, on the other.

Read more about this topic:  Much Ado About Nothing

Famous quotes containing the word style:

    “The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
    —Edgar Allan Poe (1809–1849)

    “The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
    —Helen Hayes (1900–1993)

    “One who has given up any hope of winning a fight or has clearly lost it wants his style in fighting to be admired all the more.”
    —Friedrich Nietzsche (1844–1900)