Production
Quentin Tarantino had been working at Video Archives, a video store in Manhattan Beach, California, and originally planned to shoot the film with his friends on a budget of $30,000 in a 16 mm format with producer Lawrence Bender playing Nice Guy Eddie. When actor Harvey Keitel became involved and agreed to act in the film and co-produce, he was cast as Mr. White. With Keitel's assistance, the filmmakers were able to raise $1.5 million to make the film.
Reservoir Dogs was, according to Tarantino, influenced by Stanley Kubrick's The Killing. Tarantino said: "I didn't go out of my way to do a rip-off of The Killing, but I did think of it as my Killing, my take on that kind of heist movie". The film's plot was suggested by the 1952 movie Kansas City Confidential. Additionally, Joseph H. Lewis's The Big Combo inspired the scene where a cop is tortured in a chair. Tarantino has denied that he plagiarized with Reservoir Dogs instead claiming that he does homages. Also, the main characters being named after colors (Mr. Pink, White, Brown, etc.) was first seen in the 1974 film The Taking of Pelham One Two Three.
Of his decision to not show the heist itself, Tarantino has said that the reason was initially budgetary, but that he had always liked the idea of not showing it and stuck with that idea. He has said that the technique allows for the realization that the movie is "about other things". He compared this to the work of a novelist, and has said that he wanted the movie to be about something that is not seen and that he wanted it to "play with a real-time clock as opposed to a movie clock ticking".
Read more about this topic: Mr. Pink
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)