Mr. Deeds Goes To Town - Production

Production

Originally, Frank Capra intended to make Lost Horizon after Broadway Bill (1934), but lead actor Ronald Colman couldn't get out of his other filming commitments. So Capra began adapting Mr. Deeds Goes to Town. The two main cast members, Gary Cooper as Longfellow Deeds and Jean Arthur as Louise "Babe" Bennett/Mary Dawson, were cast as production began. Capra's "first, last and only choice" for the pivotal role of the eccentric Longfellow Deeds was Gary Cooper. Due to his other film commitments, production was delayed six months before Cooper was available, incurring costs of $100,000 for the delay in filming.

Arthur was not the first choice for the role, but Carole Lombard, the original female lead, "ankled" the film just three days before principal photography, in favor of a starring role in My Man Godfrey. The first scenes shot on the Fox Studios' New England street "lot" were in place before Capra "discovered" his heroine in a rush screening. The opening sequences had to be reshot when Capra decided against the "broad" comedy approach that had originally been written.

Despite his penchant for coming in "under budget," Capra spent an additional five shooting days in multiple takes, testing angles and "new" perspectives, treating the production as a type of workshop exercise. Due to the increased shooting schedule, the film came in at $38,936.00 more than the Columbia budget for a total of $806,774.00. Throughout the pre-production and the early principal photography, the project still retained Kelland's original title, Opera Hat, although Capra tried out some other titles including A Gentleman Goes to Town and Cinderella Man before settling on a name that was the winning entry in a contest held by the Columbia Pictures publicity department.

Read more about this topic:  Mr. Deeds Goes To Town

Famous quotes containing the word production:

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)

    ... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.
    Emma Goldman (1869–1940)

    Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.
    Gus Hall (b. 1910)