Mountain Landscape with Rainbow (1809-10) (German: Gebirgslandschaft mit Regenbogen), is an oil painting by the German Romantic artist Caspar David Friedrich. Like the Riesengebirge Landscape (1810) this painting was inspired by Friedrich's 1809 travels through Germany and along the shores of the Baltic Sea. The observation of nature in his travels allowed Friedrich to compose a universal, idyllic landscape that is visionary rather than literal.
In the foreground a wayfarer has stopped to rest. He turns his gaze to the background, where a black abyss opens up. In those depths a few mountains can be glimpsed. Above the landscape, a rainbow forms in the waning light.
In Friedrich's oeuvre, paintings with a sharp contrast between the foreground and background are common, a separation symbolizing the spiritual and physical planes of existence. So it is in this painting: in the foreground the sun illuminates the foliage and the clothes of the traveller, and in contrast the darkness of night fills the rest of the image. The opposites of day and night, and of spirit and matter, are unified by a rainbow, which in the Genesis account of Noah's ark symbolized the covenant between God and humanity.
Famous quotes containing the words mountain, landscape and/or rainbow:
“The Xanthus or Scamander is not a mere dry channel and bed of a mountain torrent, but fed by the ever-flowing springs of fame ... and I trust that I may be allowed to associate our muddy but much abused Concord River with the most famous in history.”
—Henry David Thoreau (1817–1862)
“While the focus in the landscape of Old World cities was commonly government structures, churches, or the residences of rulers, the landscape and the skyline of American cities have boasted their hotels, department stores, office buildings, apartments, and skyscrapers. In this grandeur, Americans have expressed their Booster Pride, their hopes for visitors and new settlers, and customers, for thriving commerce and industry.”
—Daniel J. Boorstin (b. 1914)
“The novel is a perfect medium for revealing to us the changing rainbow of our living relationships. The novel can help us to live, as nothing else can: no didactic Scripture, anyhow. If the novelist keeps his thumb out of the pan.”
—D.H. (David Herbert)