In Japanese Mythology
The presentation of Mt. Hōrai in Lafcadio Hearn's Kwaidan: Stories and Studies of Strange Things, is somewhat different from the earlier idyllic Chinese myth. This version, which does not truly represent the Japanese views of Horai in the Meiji and preceding Tokugawa periods, rejects much of the fantastic and magical properties of Hōrai. In this version of the myth, Hōrai is not free from sorrow or death, and the winters are bitterly cold. Hearn's conception of Hōrai holds that there are no magical fruits that cure disease, grant eternal youth or raise the dead, and no rice bowls or wine glasses that never become empty.
Hearn's incarnation of the myth of Hōrai focuses more on the atmosphere of the place, which is said to be made up not of air but of "quintillions of quintillions" of souls. Breathing in these souls is said to grant one all of the perceptions and knowledge of these ancient souls. The Japanese version also holds that the people of Hōrai are small fairies, and they have no knowledge of great evil, and so their hearts never grow old.
In the Kwaidan, there is some indication that the Japanese hold such a place to be merely a fantasy. It is pointed out that "Hōrai is also called Shinkiro, which signifies Mirage — the Vision of the Intangible".
Yet uses of Mount Hōrai in Japanese literature and art of the Tokugawa period (1615-1868) reveal a very different view than Hearn's Victorian-influenced interpretation.
Read more about this topic: Mount Penglai
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