Motorcycle Rider Postures
The motorcyclist's riding position depends on rider body-geometry (anthropometry) combined with the geometry of the motorcycle itself. These factors create a set of three basic postures.
- Sport – the rider leans forwards into the wind and the weight of the upper torso is supported by the rider's arms at low speed and air pressure at high speed (e.g., above 50 mph (80 km/h)). The footpegs are below the rider or to the rear. The reduced frontal area cuts wind resistance and allows higher speeds. At low-speed this position throws the weight of the rider onto the arms, and this can be tiring to the rider's wrists.
- Standard – the rider sits upright or leans forwards slightly. The feet are below the rider. These are motorcycles that are not specialised to one task, so they do not excel in any particular area. The standard posture is used with touring and commuting as well as dirt and dual-sport bikes, and may offer advantages for beginners.
- Cruiser – the rider sits at a lower seat height with the upper torso upright or leaning slightly rearwards. Legs are extended forwards, sometimes out of reach of the regular controls on cruiser pegs. The low seat heights can be a consideration for new or short riders. Handlebars tend to be high and wide. Harley-Davidsons are exemplars of this style. The emphasis is on comfort, while compromising cornering ability because of low ground clearance and the greater likelihood of scraping foot pegs, floor boards, or other parts if turns are taken at the speeds other types of motorcycles can do.
Factors of a motorcycle's ergonomic geometry that determine the seating posture include the height, angle and location of footpegs, seat and handlebars. Factors in a rider's physical geometry that contribute to seating posture include torso, arm, thigh and leg length, and overall rider height.
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Famous quotes containing the words motorcycle, rider and/or postures:
“Actually being married seemed so crowded with unspoken rules and odd secrets and unfathomable responsibilities that it had no more occurred to her to imagine being married herself than it had to imagine driving a motorcycle or having a job. She had, however, thought about being a bride, which had more to do with being the center of attention and looking inexplicably, temporarily beautiful than it did with sharing a double bed with someone with hairy legs and a drawer full of boxer shorts.”
—Anna Quindlen (b. 1952)
“Came to Ajanta cave, the painted space of the breast,
the real world where everything is complete,
there are no shadows, the forms of incompleteness,
The great cloak blows in the light, rider and horse arrive,
the shoulders turn and every gift is made.”
—Muriel Rukeyser (1913–1980)
“And whilst our souls negotiate there,
We like sepulchral statues lay;
All day, the same our postures were,
And we said nothing, all the day.”
—John Donne (1572–1631)