Morpheme - Changing Definitions of Morpheme

Changing Definitions of Morpheme

In generative grammar, the definition of a morpheme depends heavily on whether syntactic trees have morphemes as leafs or features as leafs.

  • Direct surface to syntax mapping LFG – leafs are words
  • Direct syntax to semantics mapping
    • Leafs in syntactic trees spell out morphemes: Distributed morphology – leafs are morphemes
    • Branches in syntactic trees spell out morphemes:Radical Minimalism and Nanosyntax -leafs are "nano" morpho-syntactic features

Given the definition of morpheme as "the smallest meaningful unit" Nanosyntax aims to account for idioms where it is often an entire syntactic tree which contributes "the smallest meaningful unit." An example idiom is "Don't let the cat out of the bag" where the idiom is composed of "let the cat out of the bag" and that might be considered a semantic morpheme, which is composed of many syntactic morphemes. Other cases where the "smallest meaningful unit" is larger than a word include some collocations such as "in view of" and "business intelligence" where the words together have a specific meaning.

The definition of morphemes also play a significant role in the interfaces of generative grammar in the following theoretical constructs;

  • Event semantics The idea that each productive morpheme must have a compositional semantic meaning (a denotation), and if the meaning is there, there must be a morpheme (null or overt).
  • Spell-out The interface where syntactic/semantic structures are "spelled-out" using words or morphemes with phonological content. This can also be thought of as lexical insertion into the syntactics

Read more about this topic:  Morpheme

Famous quotes containing the words changing and/or definitions:

    Anything in history or nature that can be described as changing steadily can be seen as heading toward catastrophe.
    Susan Sontag (b. 1933)

    Lord Byron is an exceedingly interesting person, and as such is it not to be regretted that he is a slave to the vilest and most vulgar prejudices, and as mad as the winds?
    There have been many definitions of beauty in art. What is it? Beauty is what the untrained eyes consider abominable.
    Edmond De Goncourt (1822–1896)