Origins
The first book about the subject, Bill Kaysing's self-published We Never Went to the Moon: America's Thirty Billion Dollar Swindle, was released in 1974, two years after the Apollo Moon flights had ended. The Flat Earth Society was one of the first organizations to accuse NASA of faking the landings, arguing that they were staged by Hollywood with Walt Disney sponsorship, based on a script by Arthur C. Clarke and directed by Stanley Kubrick. Folklorist Linda Degh suggests that writer-director Peter Hyams's 1978 film Capricorn One, which shows a hoaxed journey to Mars in a spacecraft that looks identical to the Apollo craft, may have given a boost to the hoax theory's popularity in the post-Vietnam War era. She notes that this happened during the post-Watergate era, when American citizens were inclined to distrust official accounts. Degh writes: "The mass media catapult these half-truths into a kind of twilight zone where people can make their guesses sound as truths. Mass media have a terrible impact on people who lack guidance". In A Man on the Moon, published in 1994, Andrew Chaikin mentions that at the time of Apollo 8's lunar-orbit mission in December 1968, similar conspiracy ideas were already in circulation.
Read more about this topic: Moon Landing Conspiracy Theories
Famous quotes containing the word origins:
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)