Post Medieval Monuments
- Almshouses (multi-period)
- Animal Pounds
- Archery Butts (multi-period)
- Artillery Castles (multi-period)
- Bastles (multi-period)
- Beacons (multi-period)
- Blockhouses (multi-period)
- Cathedrals (Post-Reformation)
- Chain Towers (multi-period)
- Clapper Bridges (multi-period)
- Cockpits (multi-period)
- Coastal Fish Weirs (multi-period)
- Cottages (multi-period)
- Decoy Ponds (multi-period)
- Deerparks (multi-period)
- Dovecotes (multi-period)
- Earthen Artillery Defences (multi-period)
- Field Barns (multi-period)
- Field Works (multi-period)
- Fishponds (multi-period)
- Hospitals (multi-period)
- Ice Houses
- Irregular Enclosed Field Systems (multi-period)
- Martello Towers
- Mausolea
- Monastic Granges (multi-period)
- Non-Conformist Chapels
- Parish Churches (multi-period)
- Regular Enclosed Field Systems (multi-period)
- River Fisheries (multi-period)
- Tower Houses (multi-period)
- Tower Keep Castles (multi-period)
- Woods (multi-period)
Read more about this topic: Monument Class Description
Famous quotes containing the words post, medieval and/or monuments:
“A demanding stranger arrived one morning in a small town and asked a boy on the sidewalk of the main street, “Boy, where’s the post office?”
“I don’t know.”
“Well, then, where might the drugstore be?”
“I don’t know.”
“How about a good cheap hotel?”
“I don’t know.”
“Say, boy, you don’t know much, do you?”
“No, sir, I sure don’t. But I ain’t lost.””
—William Harmon (b. 1938)
“Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.”
—Philippe Ariés (20th century)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)