Montevideo - Culture

Culture

Montevideo has a very rich architectural heritage and an impressive number of writers, artists, and musicians. Uruguayan tango is a unique form of dance that originated in the neighbourhoods of Montevideo towards the end of the 1800s. Tango, candombe and murga are the three main styles of music in this city. The city is also the centre of the cinema of Uruguay, which includes commercial, documentary and experimental films. There are two movie theatre companies running seven cinemas, around ten independent ones and four art film cinemas in the city. The theatre of Uruguay is admired inside and outside Uruguayan borders. The Solís Theatre is the most prominent theatre in Uruguay and the oldest in South America. There are several notable theatrical companies and thousands of professional actors and amateurs. Montevideo playwrights produce dozens of works each year; of major note are Mauricio Rosencof, Ana Magnabosco and Ricardo Prieto.

In recent years Montevideo nightlife has moved to Ciudad Vieja, where a large concentration of buildings cater for the recreational interests of young people during the night time. Under a presidential decree of 1 March 2006 smoking is prohibited in any public place with roofing, and there is a prohibition on the sale of alcohol in certain businesses from 21.00 to 9.00.

A Cultural Centre of Spain, as well as Asturian and cultural centres, testify to Montevideo's considerable Spanish heritage. Montevideo also has important museums including Museo Torres García, Museo José Gurvich, Museo Nacional de Artes Visuales and Museo Juan Manuel Blanes etc., as mentioned above.

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    As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their ocellated eyes roll, and they fall down the curtains.
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    Cynicism makes things worse than they are in that it makes permanent the current condition, leaving us with no hope of transcending it. Idealism refuses to confront reality as it is but overlays it with sentimentality. What cynicism and idealism share in common is an acceptance of reality as it is but with a bad conscience.
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