Description
The Monteleone chariot was part of a chariot burial, containing the remains of two human corpses, along with two drinking cups. Measuring 131 cm in height and designed to be drawn by two horses, the chariot itself is constructed of wood covered with hammered bronze plates and carved ivory decoration. The bronze plates are decorated with Homeric iconography; the main panel depicts Achilles being handed his armor by his mother, Thetis. The chariot's frame and plating is additionally adorned with animals and mythological creatures, rendered in detail. The chariot's decorations would also have included inlaid amber and other exotic materials, but only the bronze and ivory decorations have survived. The chariot's wheels have nine spokes (rather than the classical Greek four, the Egyptian six, or the Assyrian and Persian eight; excavated chariots from Celtic burials have up to twelve spokes).
Contemporary curators at the Museum had long suspected that the chariot's original 1903 reconstruction was not historically accurate. In 1989, under the direction of Italian archaeologist Adriana Emiliozzi, the Metropolitan Museum began a five-year reexamination and restoration of the chariot. During the restoration, it was discovered that the chariot had in fact been originally assembled incorrectly; additionally, evidence was uncovered indicating that the chariot, previously thought to have seen little actual use, had in fact been involved in a serious accident at some point during its life. The newly restored chariot's reinstallation was scheduled as part of the major renovations of the Metropolitan Museum's Greek and Roman galleries, opening to the public on April 20, 2007.
Read more about this topic: Monteleone Chariot
Famous quotes containing the word description:
“Do not require a description of the countries towards which you sail. The description does not describe them to you, and to- morrow you arrive there, and know them by inhabiting them.”
—Ralph Waldo Emerson (18031882)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (18861965)
“Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.”
—Willard Van Orman Quine (b. 1908)