Monsieur Beaucaire (operetta) - Musical Numbers

Musical Numbers

André Messager
Operas
  • François les bas-bleus (1883)
  • La fauvette du temple (1885)
  • La Béarnaise (1885)
  • Le bourgeois de Calais (1887)
  • Isoline (1888)
  • Le mari de la reine (1889)
  • La Basoche (1890)
  • Madame Chrysanthème (1893)
  • Mirette (1894)
  • Le chevalier d'Harmental (1896)
  • Les p'tites Michu (1897)
  • Véronique (1898)
  • Fortunio (1907)
  • Béatrice (1914)
  • Monsieur Beaucaire (1919)
  • La petite fonctionnaire (1921)
  • L'amour masqué (1923)
  • Passionément (1926)
  • Coups de roulis (1928)
Act I
  • Red rose – Monsieur Beaucaire
  • Going to the ball – Philip Molyneux, Beaucaire and Duke of Winterset
  • The Beaux and the Belles of Bath – Chorus
  • A little more (I love you a little) – Lucy and Philip
  • Come with welcome – Chorus
  • I do not know – Lady Mary Carlisle
  • Who is this? – Chorus
  • English maids – Monsieur Beaucaire
  • Lightly, lightly – Lady Mary and Beaucaire
  • No offence – Philip, Beaucaire, Captain Badger and Duke of Winterset
  • Act I Finale – Company
Act II
  • When I was king of Bath – Beau Nash
  • That's a woman's way – Lucy
  • Philomel – Lady Mary
  • Honour and love – Philip
  • Say no more – Lady Mary and Beaucaire
  • Act II Finale – Company
Act III
  • Have You Heard? – Chorus
  • The Honours of war – Rakell, Townbrake, Joliffe, Captain Badger, Frederick Bantison and Bicksitt
  • We are not speaking now – Lucy and Philip
  • Under the moon – Beaucaire
  • What are names – Lady Mary and Beaucaire
  • Way for the Ambassador – Chorus
  • A son of France – Marquis de Mirepoix
  • Act III Finale – Company

Read more about this topic:  Monsieur Beaucaire (operetta)

Famous quotes containing the words musical and/or numbers:

    Syncopations are no indication of light or trashy music, and to shy bricks at “hateful ragtime” no longer passes for musical culture.
    Scott Joplin (1868–1917)

    ... there are persons who seem to have overcome obstacles and by character and perseverance to have risen to the top. But we have no record of the numbers of able persons who fall by the wayside, persons who, with enough encouragement and opportunity, might make great contributions.
    Mary Barnett Gilson (1877–?)