Critical Reception
Reviewing the premiere, The Times concluded, "If Monsieur Beaucaire avoids being an opera it enlists some of the best talents of the Opera. Miss Maggie Teyte, surrounded by half a dozen lovers on the stage, may be sure of as many hundreds in the auditorium, and Mr. Marion Green, every inch the Noble Personage, has a voice to match. Miss Alice Moffat and Mr. John Clarke together make the subsidiary lovers attractive, and Mr. Robert Parker is the very image of courtly vice. It Is rare to get so much good singing where good acting must have been the first requirement in making up the cast. There is a chorus which adds to its beautiful dresses the power of producing quite a beautiful sound, and an orchestra which, under Mr. Kennedy Russell, lets us enjoy the best that Mr. Messager can give." In The Observer, Ernest Newman, having made some mild criticisms of the score and some harsher ones of the libretto, concluded that the piece was "a delightful entertainment, that one can picture oneself going to see a number of times." In The Manchester Guardian, Samuel Langford praised the work, with reservations about the clichéd libretto, but regretted that there was not more music.
Read more about this topic: Monsieur Beaucaire (operetta)
Famous quotes containing the words critical and/or reception:
“The critical method which denies literary modernity would appearand even, in certain respects, would bethe most modern of critical movements.”
—Paul Deman (19191983)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)