Musical Style
Although Mono's musical style has developed throughout their career, it has primarily been characterised by dynamic, guitar-based instrumental soundscapes, the majority of which are composed by lead guitarist Takaakira Goto, in an attempt to channel and express the emotions of joy and sorrow. The band's style of music originally featured elements of minimalism and noise, and later developed to integrate more complex, orchestral arrangements and instrumentation. Mono's music is sometimes categorised as "post-rock", to which Goto has stated:
Music is communicating the incommunicable; that means a term like post-rock doesn't mean much to us, as the music needs to transcend genre to be meaningful. —Takaakira Goto, Time OutMono are primarily a live band, and have toured worldwide several times. Their live show tends to feature intense and emotional playing by the band members, as well as using extreme dynamics (in crescendos as well as diminuendos) in their attempt to create an "unforgettable" live performance. When recording their music, the band has always played live in the studio and, from 2004's Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined to 2009's Hymn to the Immortal Wind, worked with Chicagoan recording engineer Steve Albini, who they feel accurately captured a live band's "raw emotion to tape."
Read more about this topic: Mono (Japanese Band)
Famous quotes containing the words musical and/or style:
“There was something refreshingly and wildly musical to my ears in the very name of the white mans canoe, reminding me of Charlevoix and Canadian Voyageurs. The batteau is a sort of mongrel between the canoe and the boat, a fur-traders boat.”
—Henry David Thoreau (18171862)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)