Monika Treut - Works

Works

  • "How Does the Camel Go Through the Needle's Eye?" ("Wie Geht das Kamel durchs Nadelöhr?") (1981)
  • "Unknown Gender. Das Dritte Geschlecht" (1983)
  • "Bondage" (1983)
  • "Seduction: The Cruel Woman" ("Verführung: Die Grausame Frau") (1985)
  • "Virgin Machine" ("Die Jungfrauenmaschine") (1988)
  • "Annie" (1989)
  • "My Father is Coming" (1991)
  • "Dr. Paglia" (1992)
  • "Max" (1992)
  • "Female Misbehavior" (1992)
  • "Erotique" ("Let's Talk About Sex") (1994)
  • "Didn't Do It For Love" (1998)
  • "Gendernauts: A Journey Through Shifting Identities" (1999)
  • "Warrior of Light" ("Kriegerin des Lichts") (2001)
  • "Encounter with Werner Schroeter" ("Begegnung mit Werner Schroeter") (2003)
  • "Tigerwomen Grow Wings" ("Den Tigerfrauen wachsen Flügel") (2004)
  • "Jumpcut: A Travel Diary" ("Axensprung: Ein Reisetagebuch") (2004)
  • "Made in Taiwan" (2005)
  • "Ghosted" (2008)
  • "Lesbian Nation" (2009)
  • "The Raw and the Cooked" (2012)

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Famous quotes containing the word works:

    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
    —Elizabeth Barrett Browning (1806–1861)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)

    “Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
    —Samuel Johnson (1709–1784)