Reception
The character of Monica Reyes has attracted mixed reviews from critics. Gish's portrayal of the character has been described by Entertainment Weekly's Ken Tucker as "ferocious yet lissome". Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, felt that Reyes' introduction in "This Is Not Happening" was "rather forced", finding her upbeat personality at odds with the tone of the series at that time; Shearman and Pearson also felt that the overall use of the character in season nine was "lazy", with her willingness to believe in anything compromising the tension of episodes such as "4-D" or "Hellbound". However, Shearman considered the character's appearance in "Empodocles" to be "very clever", while Gish's acting in "4-D" was described as "stand out". Writing for The New York Times, Joyce Millman described Reyes and her partner Dogget as "the Diet Coke of Mulder and Scully", referring to their secondary standing. Fellow New York Times writer Caryn James felt that Reyes and Dogget were "colorless", and "a shadow" of their predecessors, noting that "where Scully and Mulder's muted sexual attraction linked them to reality, Doggett and Reyes's chemistry was nonexistent, even as platonic partners".
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)