In Pop and Rock Music
In pop music, the term is used because "money notes" on a CD help to 'sell' a song for a listener, and also because singers capable of performing these emotionally stirring passages are able to make income from the performance. In Whitney Houston's version of the Dolly Parton song "I Will Always Love You", at the beginning of the third rendition of the chorus, there is a pause, a drum beat, and then Houston sings and emphatic line “I will always love you.” The Céline Dion song from Titanic "My Heart Will Go On": the key change that begins the third verse — “You’re here / There’s nothing I fear.” The Dream Theater song Learning to Live: James LaBrie sings a wordless vocal melody in the main instrumental section, culminating in a long, very high note (F#5) at 7:08. In the realm of musicals, money notes can be common elements in songs, often becoming as well known as the song themselves. The attractiveness or exciting qualities of a singer or recording are subjective and vary between listeners, cultures, and time periods. Different vocal styles are considered to be desirable in different cultures. In Southeast Asia, for example, female pop singers sing with a very high-pitched, nasal tone; while this singing style would be unlikely to create positive responses for most Western listeners, for Asian audiences, the sound of the most popular singers hitting high notes creates a physiological response of emotional excitement. Even within a single culture, the singing styles vary widely from one style to another. Within the death metal fan subculture, the low, guttural sound of a well-performed "death grunt" is widely admired; for a typical Western pop or rock listener, though, this type of singing would elicit only puzzlement, not excitement.
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Famous quotes containing the words pop, rock and/or music:
“There is no comparing the brutality and cynicism of todays pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“The Wind begun to rock the Grass
With threatening Tunes and low”
—Emily Dickinson (18301886)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompanimentlike music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)