Mom (Futurama) - Character

Character

Mom owns and manages 99.7% of MomCorp, a large, multi-billion dollar industrial complex with numerous subsidiaries and a monopoly on robot production. Publicly, she retains the corporate image of a sweet, bustling old woman who often slips into the stereotype of a hapless grandmother (she wears antiquated clothes that greatly accentuate her bust and general figure, while using rustic similes and metaphors such as "squeaking like an old screen door"). Behind the scenes, however, she is malevolent, foul-mouthed, chain-smoking, cold-hearted, and narcissistic. She routinely abuses her sons into submission, treating them like gofers. In the episode "Mother's Day", it is revealed that some of her bitterness originates from an ill-fated romance with Professor Farnsworth 70 years earlier, who, while reformatting the basic robot design, terminated their affair following savage rows about his work. According to Bender's Game, this has happened at least three consecutive times. Due to Farnsworth's increasing senility, he would forget why they originally broke up or that they had even broken up in the first place.

She occasionally attends charity functions as a way of boosting her public image, but really has no empathy for any of the people she's supposed to be supporting (in "A Fishful of Dollars" she describes one such gathering as "some charity BS for knocked up teenage sluts"). In the episode "The Tip of the Zoidberg", it is revealed by Dr. Zoidberg that her first name is Carol.

Read more about this topic:  Mom (Futurama)

Famous quotes containing the word character:

    If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of a completely irrational history or to endow history with the form of human reason.
    Albert Camus (1913–1960)

    There are certain stereotypes that are offensive. Some of them don’t worry me, though. For instance, I have always thought that Mammy character in Gone with the Wind was mighty funny. And I just loved “Amos ‘n’ Andy” on the radio. So you see, I have enough confidence in myself that those things did not bother me. I could laugh.
    Annie Elizabeth Delany (b. 1891)

    Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.
    Willa Cather (1873–1947)