Literary Criticism and Reviews
- 1966 - The Spring, In Transatlantic Review, Summer 1966
- 1967 - The Blood Drinker, In The Great Society Issue 2, 1967
- 1971 - The Café, In Vertumnus (Paris) Spring 1971
- 1971 - The Young Man Who Lived Alone, In World of the Short Story April 1971
- 1971 - The Hut, In Mediterranean Review Spring 1971
- 1971 - Si Mokhtar, In Armadillo Fall 1971
- 1972 - Abdesalam and Amar, In Omphalos March 1972
- 1972 - Doctor Safi, In Rolling Stone April 1972
- 1972 - The Dutiful Son, In Bastard Angel, Spring 1972
- 1972 - Bahloul, In Antaeus Summer 1972
- 1977 - El Fellah, In Outlaw Visions 1977
- 1981 - Earth, a play by Mohammed Mrabet, In Conjunctions Issue No 1: (Winter 1981-82)
- 1990 - Mohammed Mrabet's Fiction of Alienation In World Literature Today, Vol. 64, 1990 by Ibrahim Dawood
- 1992 - Paul Bowles/Mohammed Mrabet: Translation, Transformation, and Transcultural Discourse by Richard F. Patteson
- 1999 - On Translating Paul (and Jane and Mrabet) by Claude Nathalie Thomas In Journal of Modern Literature - Volume 23, Number 1, Fall 1999, pp. 35–43
- 2006 - In Defense of Tradition: Mohammed Mrabet's Postcolonial Leanings and the Confrontation of “Kif Wisdom with Modernity by Raj Chandarlapaty
Read more about this topic: Mohamed Mrabet
Famous quotes containing the words literary criticism, literary, criticism and/or reviews:
“Much literary criticism comes from people for whom extreme specialization is a cover for either grave cerebral inadequacy or terminal laziness, the latter being a much cherished aspect of academic freedom.”
—John Kenneth Galbraith (b. 1908)
“In literary circles, the men of trust and consideration, bookmakers, editors, university deans and professors, bishops, too, were by no means men of the largest literary talent, but usually of a low and ordinary intellectuality, with a sort of mercantile activity and working talent. Indifferent hacks and mediocrities tower, by pushing their forces to a lucrative point, or by working power, over multitudes of superior men, in Old as in New England.”
—Ralph Waldo Emerson (1803–1882)
“It is from the womb of art that criticism was born.”
—Charles Baudelaire (1821–1867)
“I have been reporting club meetings for four years and I am tired of hearing reviews of the books I was brought up on. I am tired of amateur performances at occasions announced to be for purposes either of enjoyment or improvement. I am tired of suffering under the pretense of acquiring culture. I am tired of hearing the word “culture” used so wantonly. I am tired of essays that let no guilty author escape quotation.”
—Josephine Woodward, U.S. author. As quoted in Everyone Was Brave, ch. 3, by William L. O’Neill (1969)