Mo Yan - Style

Style

Mo Yan's works are epic historical novels characterized by hallucinatory realism and containing elements of black humor. A major theme in Mo Yan's works is the constancy of human greed and corruption, despite the influence of ideology. Using dazzling, complex, and often graphically violent images, he sets many of his stories near his hometown, Northeast Gaomi Township in Shandong province. Mo Yan says he realised that he could make " family, people I'm familiar with, the villagers..." his characters after reading William Faulkner's The Sound and the Fury. He satirizes the genre of socialist realism by placing workers and bureaucrats into absurd situations.

Mo Yan's writing is characterised by the blurring of distinction between "past and present, dead and living, as well as good and bad". Mo Yan appears in his novels as a semi-autobiographical character who retells and modifies the author's other stories. His female characters often fail to observe traditional gender roles, as the mother in the Shangguan family in Big Breasts & Wide Hips fails to bear her husband sons, and is instead an adulterer, becoming pregnant with girls by a Swedish missionary and a Japanese soldier, among others. Male power is also portrayed cynically in Big Breasts & Wide Hips, and there is only one male hero in the novel.

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Famous quotes containing the word style:

    Style is the dress of thoughts; and let them be ever so just, if your style is homely, coarse, and vulgar, they will appear to as much disadvantage, and be as ill received, as your person, though ever so well-proportioned, would if dressed in rags, dirt, and tatters.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.
    Barbara Howar (b. 1934)

    Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.
    Margaret Oliphant (1828–1897)