Influences
Mo Yan's works are predominantly social commentary, and he is strongly influenced by the social realism of Lu Xun and the magical realism of Gabriel García Márquez. In terms of traditional Chinese literature, he is deeply inspired by the folklore-based classical epic novel Water Margin. He also cites Journey to the West and Dream of the Red Chamber as formative influences.
Mo Yan, who himself reads foreign authors in translation, strongly advocates the reading of world literature. At a speech to open the 2009 Frankfurt Book Fair, he discussed Goethe's idea of "world literature", stating that "literature can overcome the barriers that separate countries and nations".
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“Whoever influences the childs life ought to try to give him a positive view of himself and of his world. The childs future happiness and his ability to cope with life and relate to others will depend on it.”
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“Without looking, then, to those extraordinary social influences which are now acting in precisely this direction, but only at what is inevitably doing around us, I think we must regard the land as a commanding and increasing power on the citizen, the sanative and Americanizing influence, which promises to disclose new virtues for ages to come.”
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“Professors of literature, who for the most part are genteel but mediocre men, can make but a poor defense of their profession, and the professors of science, who are frequently men of great intelligence but of limited interests and education, feel a politely disguised contempt for it; and thus the study of one of the most pervasive and powerful influences on human life is traduced and neglected.”
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