Style
M/M were initially influenced by post punk aesthetics as well as the strict Swiss school of graphic design and the more emotional and sensitive Polish school. Although highly visual, expressive and fashionable, they have an intellectual approach to design. M/M’s most well known designs are handdrawn; illustrative and expressive, often applied at, and integrated in, photographs (so called dessin dans l’image, or "drawings in the picture"); first introduced to the public in the Yohji Yamamoto Spring/Summer 1999 catalogue.
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Famous quotes containing the word style:
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)