Mixed-orientation Marriage - in Media

In Media

The theme of mixed-orientation marriages in literature dates back at least to 1889 with the publication of A Marriage Below Zero by Alfred J. Cohen (writing under the pseudonym Chester Allan Dale). Cohen's heterosexual female narrator was married to a homosexual man. Cohen believed that women should be aware of the sexual orientation of a potential husband so they would avoid marrying a homosexual man. Lesbian pulp fiction sometimes included married women exploring their attraction to other women. Other examples of the theme include Brokeback Mountain by Annie Proulx, which features two married cowboys in love with each other.

The filmed version of Brokeback Mountain helped bring the issue of mixed-orientation marriages to public attention, but several other movies had already dealt with the issue. Talk shows, such as Oprah, have also addressed this situation. Some of the movies that deal with mixed-orientation marriages include:

  • Brokeback Mountain - The story between protagonists, two cowboys, both married fall in love with each other.
  • De-Lovely - The story of Cole Porter, a bisexual man, and his wife, Linda Lee Thomas.
  • Far From Heaven - The story of a woman whose husband has an affair with another man.
  • Imagine Me & You - Story of a straight woman who falls in love with a lesbian at her wedding.
  • The Wedding Banquet - Story of a gay Taiwanese immigrant man who marries a mainland Chinese woman to placate his parents and get her a green card.
  • Mulligans - The story of a gay man who spends the summer with his best friend's family and begins an affair with the father.
  • American Beauty

Read more about this topic:  Mixed-orientation Marriage

Famous quotes containing the word media:

    The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.
    Pope John Paul II (b. 1920)

    The corporate grip on opinion in the United States is one of the wonders of the Western World. No First World country has ever managed to eliminate so entirely from its media all objectivity—much less dissent.
    Gore Vidal (b. 1925)