Tradition
The Brass Rat is traditionally worn with the Beaver "sitting" on the wearer until graduation. This represents the hardships imposed on students at MIT. In addition, the skyline of Boston is facing the student, representing the outside world awaiting. After graduation, the ring is turned around, and the Cambridge skyline is visible to the graduate, as a reminder of times spent at MIT.
The undergraduate ring is designed and presented in the sophomore year of each class. The design is unveiled during the Ring Premiere in the Fall Term, which is followed months later by the Ring Delivery in the Spring Term. The latter has been a tradition since 1999 (Class of 2001), and is typically a formal occasion. Ring Delivery ceremonies have been held on a harbor cruise, at prestigious restaurants, and at the Boston Public Library. Although parts of the ring change each year, there is typically the MIT seal on one shank of the ring, and a depiction of the Dome on the other side. The 2008 Brass Rat was the first in recent years to revert to the original style of the ring, placing the seal and Dome above the "MIT" and "08" respectively. The 2010 Brass Rat was the first to invert the "MIT" and "2010" on the shanks of the ring.
Read more about this topic: MIT Class Ring
Famous quotes containing the word tradition:
“But, with whatever exception, it is still true that tradition characterizes the preaching of this country; that it comes out of the memory, and not out of the soul; that it aims at what is usual, and not at what is necessary and eternal; that thus historical Christianity destroys the power of preaching, by withdrawing it from the exploration of the moral nature of man; where the sublime is, where are the resources of astonishment and power.”
—Ralph Waldo Emerson (1803–1882)
“Almost always tradition is nothing but a record and a machine-made imitation of the habits that our ancestors created. The average conservative is a slave to the most incidental and trivial part of his forefathers’ glory—to the archaic formula which happened to express their genius or the eighteenth-century contrivance by which for a time it was served.”
—Walter Lippmann (1889–1974)
““Where do architects and designers get their ideas?” The answer, of course, is mainly from other architects and designers, so is it mere casuistry to distinguish between tradition and plagiarism?”
—Stephen Bayley (b. 1951)