Missy Higgins - Musical Influences and Technique

Musical Influences and Technique

Higgins grew up in the 1980s and 1990s listening to artists that her older siblings liked—Nicola played Mariah Carey and Whitney Houston, while David favoured Queen and Kiss. Departing for boarding school at age 13, she was exposed to alternative artists like Nirvana and Courtney Love and started teaching herself guitar and writing her own music. She also began singing with David's jazz group on weekends. As an adult she prefers Nina Simone and Ray Charles to "poppy dance music". She has cited Patty Griffin, Ron Sexsmith, Rufus Wainwright, Paul Kelly and Sarah McLachlan as influences. Material from her third album is influenced by ambient music from Low, Jon Hopkins, Icelandic band Sigur Rós and Estonian classical composer Arvo Pärt.

Higgins' song writing grew out of a desire to express her emotions when she was at school and her lyrics describe her feelings about her own life and relationships. The piano was the first instrument she learned to play, and she continues to use it as well as digital pianos including a Roland RD-300SX, RD-700 and KR-15. She also uses guitars extensively in her music particularly when touring, due to their portable nature and favours the Australian brand, Maton. On occasion she plays keytar, xylophone and melodica during performances.

On 7 September 2012, Higgins recorded a cover version of Gotye's "Heart's A Mess" for the "Like a Version" segment, explaining "on-air" that the song is her favourite Gotye composition. Higgins had traveled with Gotye previously and referred to him as "an incredible singer" in the interview prior to the rendition.

Read more about this topic:  Missy Higgins

Famous quotes containing the words musical, influences and/or technique:

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    I don’t believe in villains or heroes, only in right or wrong ways that individuals are taken, not by choice, but by necessity or by certain still uncomprehended influences in themselves, their circumstances and their antecedents.
    Tennessee Williams (1914–1983)

    The more technique you have, the less you have to worry about it. The more technique there is, the less there is.
    Pablo Picasso (1881–1973)