Missouri Harmony - Abe Lincoln and The Missouri Harmony

Abe Lincoln and The Missouri Harmony

The Missouri Harmony was on hand in the 1830s in New Salem, Illinois. Legend has it that Abraham Lincoln and his sweetheart Ann Rutledge sang from it. Carl Sandburg, a musician, poet, and biographer of Abraham Lincoln’s prairie years, noted:

sang from a book, ‘The Missouri Harmony,’ printed and published by Morgan and Sanxay in Cincinnati. It was “a collection of psalm and hymn tunes, and anthems, from eminent authors: with an introduction to the grounds and rudiments of music, and a supplement of admired tunes and choice pieces of sacred music. According to another story, young Lincoln parodied a song in the old tune book. He’d “tip his chair and roar it out at the top of his voice, over and over again, just for fun.”

Lincoln, let it be recorded, had a terrible singing voice. Sandburg wrote about the sixteenth United States president: “His voice was tenor in pitch, and managed tunes in a reciting, singsong tone. A song titled ‘Legacy’ was a favorite with groups who heard him substitute his own words ‘old gray’ for the regular words ‘red grape’ in the hymn.” The song was arranged by Irish poet Thomas Moore, who titled it “The Legacy” (it is named “Legacy” in The Missouri Harmony), and it entered the oral tradition in the countryside around New Salem.

On a visit home in 1914, poet Edgar Lee Masters heard the same tune played by a local fiddler whose father had been a close friend of Lincoln’s in his New Salem days. It belongs to a family of fiddle tunes that includes “How Shall We Abstain from Whiskey,” and “St. Patrick’s Day in the Morning,” but Masters’ fiddle-playing friend used Moore’s lyrics and called the song “Missouri Harmony.”

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