Music
Aside from the now iconic main theme, as well as the motif called "The Plot" which usually accompanied scenes of the team members carrying out the mission, the background music would incorporate minimalist innovations of percussion such as simply a snare drum and cymbals to build tension during the more "sneaky" moments of the episodes (sometimes accompanied by a flute playing in low tessitura). These quieter passages would greatly contrast the more bombastic fanfares when a mission member is at risk of getting caught just prior to a commercial break.
The main theme was composed by Argentine composer, pianist and conductor Lalo Schifrin and is noted for being in 5/4 time. About the unusual timing, Schifrin declared that "things are in 2/4 or 4/4 because people dance with two legs. I did it for people from outer space who have five legs." "The Plot" was also composed by Schifrin, who scored three episodes in the first season and went on to score at least one or two episodes for most of the other seasons (season two is the only one to have no Schifrin-scored episodes, in part because he was helping to launch Geller's new series Mannix).
Schifrin was awarded two Grammys at the 10th Grammy Awards for his work on the first series (Best Instrumental Theme and Best Original Score for a Motion Picture or TV Show). He was also nominated for two Emmys (for the first and third seasons).Among the other composers to work on the series were Jerry Fielding, Walter Scharf, Gerald Fried, Richard Markowitz, Benny Golson, Robert Drasnin, and Hugo Montenegro.
Read more about this topic: Mission: Impossible
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