Missa Solemnis (Beethoven)
The Missa solemnis in D Major, Op. 123 was composed by Ludwig van Beethoven from 1819-1823. It was first performed on April 7, 1824 in St. Petersburg, under the auspices of Beethoven's patron Prince Nikolai Galitzin; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. It is generally considered to be one of the composer's supreme achievements. Together with Bach's Mass in B Minor, it is the most significant mass setting of the common practice period.
Despite critical recognition as one of Beethoven's great works from the height of his composing career, Missa solemnis has not achieved the same level of popular attention that many of his symphonies and sonatas have enjoyed. Written around the same time as his ninth symphony, it is Beethoven's second setting of the mass, after his Mass in C, Op. 86.
The mass is scored for 2 flutes; 2 oboes, 2 clarinets (in A, C, and B♭); 2 bassoons; contrabassoon; 4 horns (in D, E♭, B♭ basso, E, and G); 2 trumpets (D, B♭, and C); alto, tenor, and bass trombone; timpani; organ continuo; strings (violins I and II, violas, cellos, and basses); soprano, alto, tenor, and bass soloists; and mixed choir.
Read more about Missa Solemnis (Beethoven): Structure, Performance, Dedication, Critical Response, Toscanini Performances
Famous quotes containing the word missa:
“Go, you are dismissed.
[Ite missa est.]”
—Missal, The. The Ordinary of the Mass.
Missal is book of prayers and rites used to celebrate the Roman Catholic mass during the year.