Novels and Short Stories
Mireille Best’s first publication was a collection of short stories titled Les mots de hasard. It consists of five stories: “L’illusioniste”, “ La femme de pierre”, “Les mots de hasard”, “Le livre de Stéphanie”, and “La lettre”. The first four center around lesbian relationships and indirect criticism of socially instilled lesbophobia. The book won the Ville du Mans Prix de la nouvelle in 1981 and received glowing reviews from Le Monde.
The second book, Le méchant petit jeune homme, was a collection of three short stories. “Des fenêtres pour les oiseaux”, “Le méchant petit jeune homme”, and “La traversée” all repeat the lesbian theme of Best’s first book.
Best’s third book of short stories, Une extrême attention, contains “Psaume à Frédérique”, “L’encontre”, “Le gardien de la chose”, “Une extrême attention”, “Mémoire-écrin”, and “La conversation”. In this collection, she moves away from the lesbian theme, preferring to focus on stories highlighting the difficulty of communication.
Mireille Best’s first full length novel is titled Hymne aux murènes and centers around the life of Mila, a young adolescent institutionalized for having “wings”. She falls in love with Paule, a junior member of staff. Paule appears to return her affections, but then shows interest in another girl. In revenge, Mila stages a performance of “The Little Mermaid”, casting the other girl as the mermaid and herself as the Prince. She then runs away from the hospital and returns home.
Camille en octobre, Best's second novel, is about the title character falling in love with her dentist’s pregnant wife, Clara. They have a brief affair on Camille’s birthday, but Clara moves away soon afterwards. Camille is left scarred by the non-reciprocal nature of her first relationship.
Best returned to short story writing with Orphéa trois. The book's stories included “Orphéa Trois”, “Promenade en hiver”, “Le Messager”, and “Lune morte”. While the stories shared a lesbian theme, they were darker, featuring “lesbophobia, and, more unusually, violence between lesbian lovers, who have often been stereotypically represented as pacific, mutually respectful, and free from the violent, possessive jealousy naturalized in men. This relatively bleak angle on lesbianism may partly explain at least two reviewers’ perception of a disillusioned tone in Orphéa trois.”
Best’s third novel, Il n’y a pas d’hommes au paradis, follows the life of Josèphe, focusing on her relationship with her intolerant mother and with her estranged girlfriend Rachel.
One notable feature of Best’s writing style was that she never used a semi-colon, claiming an inexplicable hatred of them. Instead, she used spaces to punctuate the pauses where a comma would be too short and a period would be too long.
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