Writing and Scholarship
Schor has written frequently on issues of gender representation, including “Backlash and Appropriation,” a chapter of The Power of Feminist Art, 1994, an historical overview of the Feminist movement published by Abrams, “Patrilineage”, 2002, republished in The Feminism and Visual Culture Reader edited by Amelia Jones, and on artists such as Ida Applebroog, Mary Kelly, and Ana Mendieta. Schor is the author of Wet: On Painting, Feminism, and Art Culture, 1997, and co-editor of M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism, 2000, and of M/E/A/N/I/NG Online. Schor has sometimes been criticized for taking an essentialist position in terms of feminism and many of her writings take on this debate. In her writings on paintings in essays such as “Figure/Ground,” 2001, Schor is seen as making a case for the relevance of painting in a post-medium visual culture and for arguing for the compatibility and mutuality of painterly and theoretical practices.
Schor was awarded a 2009 Creative Capital / Warhol Foundation Arts Writers Grant to develop A Year of Positive Thinking, a blog on contemporary art.
In 2010 she delivered a lecture called "On Failure and Anonymity" for a collaborative project called #class at Winkleman Gallery in New York.
Read more about this topic: Mira Schor
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