Painting
Schor’s visual work balances political and theoretical concerns with formalist and material passions. Her work has included major periods in which gendered narrative and representation of the body has been featured, but the predominant focus of her work has been representation of language in drawing and painting. Her paintings have been foregrounded by these various disciplines: by painting, with shows such as "Slow Art: Painting in New York Now," at P.S.1 Contemporary Art Center; by feminism, with exhibitions such as "Sexual Politics: Judy Chicago's 'Dinner Party' in Feminist Art History," at the Armand Hammer Museum; and by language, with shows such as "Poetry Plastique," at Marianne Boesky Gallery in New York.
In the 1980s and 90s, Schor's work was also been exhibited in New York at the Edward Thorp Gallery, Horodner Romley Gallery, and in group exhibitions including at the Santa Monica Museum, the Armand Hammer Museum, The Neuberger Museum, and the Aldrich Museum. Her visual work and her writings are included in Art and Feminism (2001) and Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History (1996). In 2009 Schor exhibited her work at Momenta Art in Williamsburg, Brooklyn, in a solo exhibition entitled "Suddenly," marking a departure in Schor's work, from the depiction of language as image to the suggestion of its lack in a space where we expect to see it. A solo exhibition, "Mira Schor: Paintings From the Nineties To Now," was held at CB1 Gallery in Los Angeles, CA (November 20, 2010–January 9, 2011) with a catalogue essay by art historian Amelia Jones. Schor exhibited her work at Marvelli Gallery in 2012. In 2009 painter and critic Robert Berlind wrote, "An intimist whose candor is akin to Emily Dickinson’s.". In a 2012 New York Times review, critic Roberta Smith wrote "Mira Schor’s small, sharp, quirky paintings have been thorns in the side of the medium for more than three decades now" and "Ms. Schor hardly tells the whole story of creative labor, but she lays out its essential elements: the isolation, reading, thinking and percolation that enable a Voice to emerge. At once poetic, lyrical and oddly real, her paintings give rare and sardonic visual form to the life, and the work, of the mind". Reviews of Schor's recent exhibitions have been published in Art in America and on Artforum.com.
Read more about this topic: Mira Schor
Famous quotes containing the word painting:
“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.”
—James Mcneill Whistler (1834–1903)
“I have heard that stiff people lose something of their awkwardness under high ceilings, and in spacious halls. I think, sculpture and painting have an effect to teach us manners, and abolish hurry.”
—Ralph Waldo Emerson (1803–1882)
“When I am finishing a picture I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand—as a kind of final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it is bad art.”
—Marc Chagall (1889–1985)