The End of An Era
Minton’s changed its open jam policy in favor of big name acts in the 1950s. By the late 1960s bands were no longer at the cutting edge. Harlem writer, Amiri Baraka (LeRoi Jones) wrote in Black Music (1967), that “The groups that come into Minton’s are stand-up replicas of what was a highly experimental twenty-five years ago.” Although the club was open for a little more than three decades, Minton’s Playhouse will always be associated with the 1940s and the jam sessions that gave birth to bebop.
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