Minton's Playhouse - The Club's Beginnings

The Club's Beginnings

Minton’s original owner, Henry Minton, was well known in Harlem for being the first ever black delegate to the American Federation of Musicians Local 802. In addition, he had been the manager of the Rhythm Club, in Harlem, in the early part of the 1930s, a place where Louis Armstrong, Fats Waller, James P. Johnson, and Earl Hines frequented. The novelist Ralph Ellison later wrote that because of his union background and music business experience, Minton was aware of the economic and artistic needs of jazz musicians in New York in the late 1930s. Minton’s popularity and his penchant for generosity with food and loans, made his club a favorite hang-out for musicians.

Minton started a policy of holding regular jam sessions at his club, which would later prove to be a key factor in the development of bebop. Because of his union ties, Minton was able to ensure that musicians would not be fined for their participation in jam sessions, an activity that was prohibited by the union. Dizzy Gillespie recalled that there were “walking” delegates from the union that would follow musicians around and fine them “a hundred to five hundred dollars” for participating in jam sessions, but that they were “somewhat immune from this at Minton’s because of Henry Minton.” According to Ralph Ellison, Minton’s Playhouse provided “a retreat, a homogeneous community where a collectivity of common experience could find continuity and meaningful expression.”