Style of Painting
Minnie's style was spontaneous, and typified by "bold" and "vibrant" colour executed with great freedom. Her works, such as Anunapa, Akali held by the National Gallery of Victoria, were executed in acrylic (often referred to as synthetic polymer) paint on canvas. As with other contemporary artists of the central and western deserts, her paintings included depictions of stories or features for which she had responsibility within her family or clan, such as the Awelye Atnwengerrp dreaming (or Women's Dreaming). Indigenous art expert Jenny Green believes Minnie's work continues the tradition of "gestural abstractionism" established by Emily Kngwarreye, which contrasted with the use of recognisable traditional motifs—such as animal tracks—in the works of Western Desert artists. Brisbane artist and gallerist Michael Eather has likened her work not only to that of Emily, but also to Australian abstract impressionist artist Tony Tuckson.
Minnie's paintings include two main design themes. The first is free-flowing and parallel lines in a pendulous outline, depicting the body painting designs used in women's ceremonies, or awelye. The second theme involves circular shapes, used to symbolise bush tomato (Solanum chippendalei), bush melon, and northern wild orange (Capparis umbonata), among a number of forms of bushfood represented in her works. Together, the designs were characterised by one reviewer as "broad, luminescent flowing lines and circles".
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