Shows Performed On The Showboat
- 1958 Under the Gaslight
- 1959 Billy the Kid and She Stoops to Conquer
- 1960 Forty-Five Minutes From Broadway
- 1961 Bloomer Girl
- 1962 Rip van Winkle and The Merry Wives of Windsor
- 1963 Camille and Under the Gaslight
- 1964 A Midsummer Night's Dream and Zoey, or Life in Louisiana
- 1965 Because I Love You and Arms and the Man
- 1966 The Great Git-Away and Fashion
- 1967 Romeo and Juliet and Charley's Aunt
- 1968 The Rivals and Trelawny of the "Wells"
- 1969 The School for Scandal and The Birds
- 1970 Lady of Lyons and Tartuffe
- 1971 The Matchmaker and The Devil's Disciple
- 1972 Show Boat and The Madwoman of Chaillot
- 1973 A Midsummer Night's Dream and Stephen Foster
- 1974 The Importance of Being Earnest and The Tavern and Trial By Jury
- 1975 An Ideal Husband and The Magistrate
- 1976 The Streets of New York
- 1977 The Black Crook
- 1978 Dracula
- 1979 Dandy Dick
- 1980 Charley's Aunt
- 1981 Hazel Kirke
- 1982 The Belle of New York
- 1983 Florodora
- 1984 The Count of Monte Cristo
- 1985 The Girl of Golden West
- 1986 Sherlock Holmes
- 1987 The Bat
- 1988 Down River Ramble: A Mississippi Panorama
- 1989 Captain Jinks of the Horse Marines
- 1990 The Moonstone
- 1991 Dracula
- 1992 Angel Street and The Mystery of Irma Vep
- 1993 The Mousetrap
- 1994 Charley's Aunt
- 1995 Peg O' My Heart
- 1996 The Matchmaker
- 2002 Dr. Jekyll and Mr. Hyde
- 2003 Dracula
- 2004 The Mousetrap
- 2005 Importance of Being Earnest
- 2006 Forty-Five Minutes from Broadway
- 2007 Sherlock's Last Case
- 2008 Count of Monte Cristo
- 2009 Is There a Doctor in the House?"
- 2010 Triumph of Love
- 2011 The Demon Barber of Fleet Street: The Melodrama of Sweeney Todd
Read more about this topic: Minnesota Centennial Showboat
Famous quotes containing the words shows and/or performed:
“He shows his splendour
in a little room;
he says to us,
be glad
and laugh,
be gay.”
—Hilda Doolittle (1886–1961)
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)