Style
Philip Sherburne proposes that minimal techno uses two specific stylistic approaches; skeletalism and massification. According to Sherburne, in skeletal minimal techno, only the core elements are included with embellishments used only for the sake of variation within the song. In contrast, massification is a style of minimalism in which many sounds are layered over time, but with little variation in sonic elements. Today the influence of minimal styles of house music and techno are not only found in club music, but becoming more commonly heard in popular music. Regardless of the style, "minimal Techno corkscrews into the very heart of repetition" so cerebrally as to often inspire descriptions like 'spartan', 'clinical', 'mathematical', and 'scientific.'"
The average tempo of a minimal techno track is between 125 and 130 beats per minute. Richie Hawtin suggests 128 bpm as the perfect tempo. In the early minimal techno scene most tracks were constructed around a Roland TR-808 or Roland TR-909 drum machine. Both are still often used on today's minimal techno tracks. In contrast to minimal house, minimal techno is less afrocentric and focusses more on middle frequencies rather than deep basses.
Read more about this topic: Minimal Techno
Famous quotes containing the word style:
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (1817–1862)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)