Mental "stream" Metaphors
The metaphorical use of "stream" to describe mentality is characteristic of but not unique to the Buddhist literature and worldview. In English for example, "stream of consciousness" is more familiar than "mindstream".
William James promoted the "stream of consciousness" with its particular nomenclature, some state drawn from Bain (refer following), whilst immersed in Buddhist studies and the accompanying protracted spiritual discipline of vipaśyanā, as related by Wallace (2003):
Buddhologist Roger R. Jackson similarly portrays Buddhist meditation as a type of ritual act (Jackson 1999:231). While such characterizations are certainly valid for some types of Buddhist meditation, they are profoundly misleading for the practices of meditative quiescence (samatha) and contemplative insight (vipasyana), which are the two core modes of Buddhist meditative training. Techniques of meditative quiescence entail the rigorous cultivation of attentional stability and vividness, methods having a strong bearing on William James’s psychological theories of attention (Wallace 1998, 1999a).
Read more about this topic: Mindstream
Famous quotes containing the words mental, stream and/or metaphors:
“Industrial man—a sentient reciprocating engine having a fluctuating output, coupled to an iron wheel revolving with uniform velocity. And then we wonder why this should be the golden age of revolution and mental derangement.”
—Aldous Huxley (1894–1963)
“They who know of no purer sources of truth, who have traced up its stream no higher, stand, and wisely stand, by the Bible and the Constitution, and drink at it there with reverence and humility; but they who behold where it comes trickling into this lake or that pool, gird up their loins once more, and continue their pilgrimage toward its fountain-head.”
—Henry David Thoreau (1817–1862)
“Life, as the most ancient of all metaphors insists, is a journey; and the travel book, in its deceptive simulation of the journey’s fits and starts, rehearses life’s own fragmentation. More even than the novel, it embraces the contingency of things.”
—Jonathan Raban (b. 1942)