The Prosody of Paradise Lost
Bridges shows that:
- there are no lines with fewer than ten syllables in Paradise Lost
- with a suitable definition of elision, there are no mid-line extra-metrical syllables
- the stresses may fall at any point in the line,
- although most lines have the standard five stresses, there are examples of lines with only three and four stresses.
Thus according to Bridges' analysis Milton was writing a form of syllabic verse. At the time this was a controversial thesis. George Saintsbury disagreed with Bridges, and stated that Milton had simply been using standard extra-metrical liberties, but Bridges was able to answer this objection by showing that every single instance in the poem of such a variation from the norm could be explained by his natural definition of elision; this would be extremely unlikely to be the case if the poet had simply been allowing himself extra-metrical variations as described by Saintsbury. Bridges took the very restricted range of Milton's variations to be a proof of his thesis.
Read more about this topic: Milton's Prosody (book)