Milton and the Devils Party is an American Indie rock band from Philadelphia, PA. It was formed in 2001 by singer-songwriter-bassist Daniel Robinson and guitarist Mark Graybill. Drummer Bob Falgie joined in 2006.
Critics frequently compare the band's sound to The Smiths and to R.E.M. and praise the songs' lyrics, noting that Robinson and Graybill are English professors. One review credits the band with the invention of a new sub-genre called "jangle noir". One critic writes, "Sure the music is intelligent but it's far from exclusionary". In an interview with Metro Philadelphia, Robinson says, "We don’t want people to think that we’re pompous. We don’t take ourselves too seriously."
As Robinson explains in numerous interviews, the name of the band is derived from a passage in William Blake's The Marriage of Heaven and Hell in which Blake calls the poet John Milton "a true Poet and of the Devils party without knowing it". Robinson tells Metro Philadelphia, "There's a famous belief that (John) Milton when he wrote Paradise Lost and created the character of Satan, he inadvertently made Satan more interesting and appealing than any of the good characters. . . . It's kind of a joke. I thought it would be a funny name for a rock band because there's that whole silly tradition of rock Satanism." Though he is frequently compared to Elvis Costello, Robinson asserts that his main songwriting influences are Ray Davies, Morrissey, Nick Cave, and Lloyd Cole.
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Famous quotes containing the words milton, devils and/or party:
“In Arms not worse, in foresight much advanc’t,
We may with more successful hope resolve
To wage by force or guile eternal Warr
Irreconcileable, to our grand Foe,”
—John Milton (1608–1674)
“O sinewy silver biplane, nudging the wind’s withers!
There, from Kill Devils Hill at Kitty Hawk
Two brothers in their twinship left the dune;
Warping the gale, the Wright wind wrestlers veered
Capeward, then blading the wind’s flank, banked and spun.”
—Hart Crane (1899–1932)
“I recommend to you, in my last, an innocent piece of art: that of flattering people behind their backs, in presence of those who, to make their own court, much more than for your sake, will not fail to repeat, and even amplify, the praise to the party concerned. This is of all flattery the most pleasing, and consequently the most effectual.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)