Reissues and Other Sources of The Music
In 1983, Milan was re-introduced to the world in Pebbles, Volume 11 of the LPs in the Pebbles series. This was actually the first album in the series to be officially released by Bomp! and was the initial LP on their AIP label. This particular compilation album starts off with both sides of a 1967 single by The Leather Boy, "I'm a Leather Boy" and "Shadows", while "You Gotta Have Soul" closes the album. The former cut is an exuberant garage rock track that features actual sounds of motorcycles in the background that even Steppenwolf eschewed, while the latter is a passionate romp that has a similar gritty feel. "Shadows" – a thoughtful meditation on the remains of a failed romance – is a marvelous psychedelic rock masterwork that appears on the Pebbles box sets called Pebbles Box and Trash Box but is not otherwise available in the Pebbles series on CD. However, "On the Go" appears on the Pebbles, Volume 10 CD (this song also reprises the motorcycle sounds from "I'm a Leather Boy").
Greg Shaw expressed hope that an album could be collected of his work some day — which finally occurred in 2009 when Hell Bent for Leather was released — adding that "what he did with Donovan songs has to be heard to be believed!". The latter is a reference to the Leather Boy cover of Donovan's song "Jersey Thursday" on one of the rarest of Milan's singles. However, in addition to those in the Pebbles series, Milan's recordings have been collected on several other garage-rock and psychedelic-rock collections.
While not reaching the stratospheric level of artists like the Human Expression and the Outcasts (from Texas), the original Milan 45s sell on a regular basis for elevated prices. For instance, between 2004 and 2006, the "I'm a Leather Boy" single sold at auction on eBay for $68, £15 and £27.
Read more about this topic: Milan The Leather Boy
Famous quotes containing the words sources and/or music:
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—Anthony Trollope (1815–1882)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)