Reaction To Fame
Patton has garnered critical praise and has been made a heavy metal icon; however, Patton's reaction to this fame has been unconventional. He has acted irreverently towards the music industry, and expressed his distaste for the infamous lifestyles of rock stars. In a 1995 interview with the San Francisco Chronicle, he stated: "It's hard to see as much as you'd like to with our schedule on the road, but it's harder to do coke and fuck whores every night. Now that's a full time job." His attitude towards popular music is also evident in his songwriting, as Allmusic critic Cammila Albertson writes: "When Patton sings 'Roll it up and smoke it again/Bottoms up and drink it again/ Fix it up and shoot it again/ I can't believe I did it again,' (Mojo by Peeping Tom) he is keenly aware of the way it sounds for such an avant-garde composer as himself to recite perfect rock & roll cliches. His lyrics mock the self-important coolness of the music industry and self parody his own place in it." His contempt for the over-the-top antics of figures in popular music is often cited as the main reason that Patton has always been so guarded about his privacy and personal life. Mike Patton has stated that he enjoyed his time in Faith No More:
"They were good years. It was a decade of my life. It was lots of ups and lots of downs, but ultimately that's where I learned my chops and learned the craft and the business."
— Mike Patton, Artisan News Service
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Famous quotes containing the words reaction to, reaction and/or fame:
“In a land which is fully settled, most men must accept their local environment or try to change it by political means; only the exceptionally gifted or adventurous can leave to seek his fortune elsewhere. In America, on the other hand, to move on and make a fresh start somewhere else is still the normal reaction to dissatisfaction and failure.”
—W.H. (Wystan Hugh)
“The excessive increase of anything often causes a reaction in the opposite direction.”
—Plato (c. 427–347 B.C.)
“but as an Eagle
His cloudless thunderbolted on thir heads.
So vertue giv’n for lost,
Deprest, and overthrown, as seem’d,
Like that self-begott’n bird
In the Arabian woods embost,
That no second knows nor third,
And lay e’re while a Holocaust,
From out her ashie womb now teem’d
Revives, reflourishes, then vigorous most
When most unactive deem’d,
And though her body die, her fame survives,
A secular bird ages of lives.”
—John Milton (1608–1674)