Mike Bartlett (playwright) - Career

Career

In July 2005, Bartlett took part in the Old Vic's "New Voices" 24 Hour Plays culminating in the performance of his play Comfort which had to be written and performed in 24 hours.

His radio play Not Talking was broadcast by the BBC on Saturday 29 March 2007 BBC. The play looked at the issues surrounding conscientious objection in the UK during World War II and also at the problems of bullying within the armed forces. The play featured Richard Briers and June Whitfield.

Bartlett won the 2006 Tinniswood Award for Not Talking and the 2006 Imison Award for a drama by a writer new to radio on 18 October 2007.

In May 2007, while holding the position of "writer in residence" at the Royal Court Theatre, his play My Child premiered there.

His play, Artefacts, was performed at The Bush Theatre in London in 2008 before a national tour, produced by new writing specialists Nabokov. Also in 2008 he adapted his radio play Love Contract for the Royal Court Theatre.

In 2009 Bartlett's play Cock premiered at the Royal Court. It won the 2010 Laurence Olivier Award for Outstanding Achievement In An Affiliate Theatre.

In the summer of 2010 Bartlett's work was staged for the first time at the National Theatre. Earthquakes in London, directed by Rupert Goold, was described by Michael Billington in the Guardian as an "epic, expansive play about climate change, corporate corruption, fathers and children". Charles Spencer of the Daily Telegraph called it "the theatrical equivalent of a thrilling roller coaster ride", delivering "a rush of invention, humour and raw emotion".

In December 2010, Abingdon and St Helens schools performed the first ever amateur production of Bartlett's play Earthquakes in London, less than three months after it finished its run at the National Theatre. The schools were given special permission to put the play on, as Bartlett is a former pupil of Abingdon. He attended the last night as guest of honour.

Also in 2010, Bartlett's play Love, Love, Love was premiered in a touring production. In 2012 it has its London premiere at the Royal Court. Michael Coveney, writing for Whatsonstage.com, called it "one of the most ambitious, and most accomplished, domestic dramas in a long while".

In 2011 Bartlett returned to the National Theatre, this time on its largest stage (the Olivier), with 13, another contemporary epic. In a favourable review in the Guardian, Michael Billington explained, "Bartlett is saying that we live in a Britain where the old tribal loyalties are increasingly irrelevant. The real divide is between a popular protest movement, fed on Facebook and Twitter, that hungers for a change of direction, and an entrenched governmental system that clings precariously to the status quo." Ian Shuttleworth of the Financial Times noted that this was a play in which "sprawl wins out": "Both here and in Earthquakes Bartlett is groping towards some sense of a need to reconcile the worldly and the numinous. In this society, in the 21st century, that may be an admirable impulse for an individual, but in this case it is not proving a useful approach for a playwright."

In 2012 Bartlett adapted Chariots of Fire for the stage. It premiered at Hampstead Theatre before transferring to the West End. He also adapted the Euripides play Medea, in a touring production he directed himself; it starred Rachael Stirling in the title role.

Later in 2012, ITV1 premiered the Crime drama "The Town" starring Andrew Scott (Sherlock) and Martin Clunes.