Midtown Comics - History

History

Midtown was founded by partners Gerry Gladston, Angelo Chantly, Thomas Galitos and Robert Mileta, who met as teenagers in Astoria, Queens, and later sold comics in their video stores in Brooklyn and Queens before opening Midtown Comics in Manhattan, which houses approximately 500,000 books in its collection. According to the New York Times:

The stereotypical view of comics stores is that they are dim, cramped and dusty places with a no-girls-allowed clubhouse atmosphere. In reality, they run the gamut. For instance, the West Side Midtown store is bright, airy and welcoming to all, with two floors and 5,000 square feet (460 m2) of space. The main floor, which is one story above street level, has a long wall with countless racks of new and recently released comics. The rest of the space offers DVDs, manga, trading cards, back issues and trade paperbacks. Toys and other collectibles are upstairs. The second Midtown store, on Lexington Avenue and 45th Street, though smaller than the first one, is just as inviting.

Midtown Comics is the official retail sponsor of New York Comic Con, and has performed this role since the NYCC's inception in 2006. Each year, Midtown creates a "show-within-a-show", featuring round-the-clock appearances by comics creators and variant comic books by publishers like Marvel Comics and Top Cow.

On November 10, 2010, Midtown Comics opened a third Manhattan store. Known as their Downtown store, it is located in the Financial District, at 64 Fulton Street, in the southernmost section of the borough. Inaugural book signings were held for that branch featuring Jim Lee and Jonathan Layman, creator of Chew. As of June 2012, Midtown is the largest comic book store in the United States.

The store is also a sponsor of Artists Assemble!, a comics festival in Union City, New Jersey that began in February 2013.

Read more about this topic:  Midtown Comics

Famous quotes containing the word history:

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.
    Camille Paglia (b. 1947)

    No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
    Gertrude Stein (1874–1946)